rebellion — the fifth film in the career of director Andrii Hrushynskyi. It was released in the fall of 2019, after Trazeu, Other Iryna, Quod erat demonstrandum and A good deed.

And before I go ahead and tell you what I think about the movie that aired recently TVR Cultural, It seems to me honest and Christian to clarify the two problems of lexicology and semantics. Problems that viewers may encounter by paying a little more attention to what is written in the credits.

rebellion it is a word whose origin is lost in the otherwise rather confused history of the uprising led by Tudor Volodymyrescu, as well as in the history of the Greek uprising against Turkish oppression. Since 1821 online Dex, the word can still be used today as a synonym for rebellion or perhaps even revolution. The word gymnopedia also appears in the same generic word. The word originates from the celebration of antiquity. Every year in Sparta, a festival was held in honor of the fallen fighters at Tirea. The dictionary also talks about Three gymnopedias, a piano composition by Eric Satie, excerpts from which are mixed into the film’s soundtrack. As the end credits inform us. It’s a column that perfectly matches the unhurried, deliberately lazy, deliberately undramatic pace of the film. Soundtrack, well taken care of by Christian Lolea.

IN rebellion, like most New Wave films, more or less influenced by Christy Pouille’s artistic method and aesthetic, there is relatively little going on. Nick, an architect by profession, and Stefan, a civil engineer, are not only best friends, but also business partners. Nick, played by Sherban Pavlu, is in the company factotum. Stefan, played, as they say, as in the book Dorian Boguts, convinced that everything is going smoothly. He really likes the idea. A situation that provides him with some comfort, Xie convinces himself otherwise 19 days after Nick’s apparently unexpected death. i say obvious as Nick proves to be an absolute master at hiding the truth about his serious health problems.

The company is actually on the verge of bankruptcy. He has no money in his account, he is unable to pay his debts, employees and suppliers. Stefan discovers all this and comes to the conclusion that Nick was an impostor whose fake success was mostly based on relationships. all this happens within 19 days. Of which only seven are shown in the film. He does so with somewhat limited help and marked by the odd indifference of accountant Nona, played a little too impersonally by Medea Marinescu. Tudor Panduru’s room insists only on Stephanie. Very little about Roxana. Which was also considered something or someone useful until the moment of crisis.

Over the course of 19 days, Stefan’s family also gets worse and worse. Who contradicts not only two flawless daughters, played by Ioana and Maria Talasman, but also his own wife (Ioana Flora) and nagging mother (Koka Blos). There are also conflicts with Nick’s mother, who, however, did not think very well of Stefan (Liana Merginana), and with the third partner in the firm, one Marius (Dan Tudor). The past is also troubling again, detailing what Stefan said to Nick just moments before the end. And what seemed to be in the works, as the memorial service ends at the end of the first period of mourning. During related commemorations and almsgiving with things of the dead.

Overwhelmed by the talking and smoking morgue people, Stefan dispels all myths about Nick’s versatility. This sequence is the brightest, most dynamic in the film. The most important thing for a director is the ability to capture the real pulsation of life on film. The most foreign of the common places in the arsenal of the New Wave. Made absolutely boring by excessive repetition. The sequence shows that Stefan has become different. The stranger turned into a rebel. –

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