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The Inner World of Bert Morisseau at Belle Epoque Paris

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The Inner World of Bert Morisseau at Belle Epoque Paris

In Dulwich Gallery, one of the most beautiful small museums in London, you can admire her work. Bert Morrison (1841-1895). She died at the age of 54, at the height of her creativity and in the heart of Paris. beautiful era. She was an Impressionist herself and enjoyed capturing aspects of everyday life and what she saw around her. A large exhibition in London is organized in collaboration with the equally excellent small Parisian museum Marmot Monet and brings together about 30 masterpieces by Bert Morisseau to tell the imprint of this woman in terms of beauty and light. This is Morrisseau’s first major UK exhibition since 1950. She was a pioneer as a female artist, standing on an equal footing with male artists at the time. And not only equally, but in an innovative way, he presented the Impressionist movement as a modern movement that advanced art. He was one of the founders of the Impressionists and received recognition.

An interesting aspect of the exhibition is the parallel selection of paintings by the great masters Reynolds, Gainsborough and Fragonard. Their work has been selected as indicative of Bert Morisseau’s broader ideological, technical and aesthetic orientations as a result of a new study looking at sources of her inspiration. She had her own way of relating to the heritage of the 18th century, from which she filtered her studies of light, the geometry of bodies, the subject and emotions. But a special, charismatic, divine element in her art was a metamorphosis into something new, innovative, fresh, airy, flowering, rooted in memory.

Morisot knew the past, and as a 19th-century woman born into a wealthy bourgeois environment, the mythologized immediate past was pre-revolutionary France and neighboring Britain of the same era. The most remarkable thing about her work is how she survived her time, how she captured it, how she connected with the avant-garde and how she opened up new perspectives on the urban life of France, of which she was a native. Her exquisite work, with a deep knowledge of the human condition, entered the world history of art. The exhibition will run until September 10th.

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Author: Nikos Vatopoulos

Source: Kathimerini

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