Home Trending Another runway at the V&A

Another runway at the V&A

0
Another runway at the V&A

“I don’t live like Daniel Lismore, the man, but like Daniel Lismore, the work of art.” All four podiums organized for the Coventry artist by the famous Victoria and Albert Museum in Kensington were sold out. For twenty years now, the museum, which boasts the richest collection of clothing in the world spanning five centuries, including rare 17th-century dresses and casual wear from the 1960s, has been organizing Fashion in Motion. A live catwalk in a museum environment with invited fashion names who stand out for their artistic creativity, with Philip Tracy making the first presentation and then Alexander McQueen.

This time it’s the turn of Daniel Lismore, a special case artist and activist who creates wearable sculptures, or as he describes his creations, “3D paintings”. Studying photography and a short career as a model, the creator presented at the V&A the highlights of his solo exhibition Be Yourself, Everyone Else Is Already Busy, a title borrowed from his 2016 book. a family antiques shop, he himself appreciates the historical costume made of plastic Star Trek memorabilia and, as a recycling fighter, is not shy about adding items he found in the trash to his work. Draperies, bits of plastic, mesh, leather and crowns, diamonds and crystals, feathers and giant headpieces, haute couture, traditional jewelry from around the world, and fabrics that have been hand-embroidered for months to make up a small part of an exuberant creation, all layered together . Each of Lismore’s pieces has been worn by him, an image of him that he took on the subway or shopped with before taking his place as a finished work of art with a title and inspiration in some kind of exhibition.

As for the visitor of the museum, he can enjoy two more exhibitions dedicated to African fashion and another dedicated exclusively to men’s fashion with the support of Gucci.

Views of the world

Another podium V&A-1

We all use her work every day, even if we don’t know the name or face behind it. The Museum of Printing and Graphic Communication is organizing the first retrospective exhibition of the artist Susan Kier. Since 1982, when he started at Apple, he has been creating images that make the computing environment friendly to all of us. Paint buckets, trash cans and speakers, bombs and emoji screens are all creations of Cyrus, the pioneer of pixel art.

Another podium V&A-2

At least one hundred works by fifty artists, several borrowings from other museums and private collections are housed in the relatively new Barberini Museum, which aims to explore the two main currents of abstraction from the mid-1940s to the end of the Cold War. The exhibition is dedicated to both sides of the Atlantic, abstract expressionism in the USA and abstract art in Western Europe.

Another podium V&A-3

Mikael Elmgreen from Denmark and Ingar Dragset from Norway exhibit at the Prada Foundation. The duo of artists with this exhibition wants to explore the role of the physical body in the post-industrial sphere. As the artists themselves describe their preoccupations, “in the 19th century the body was the producer of everyday objects, while in the 20th century the role of the body was limited to that of the consumer.”

Another podium at V&A-4
[A.P. Photo/Morgan Lee]

60 people took on the role of curators, selecting a unique clay art object from different collections for display at the Museum of Indian Art and Culture. The exhibition, which will travel across the country and then culminate in New York, is designed to once again showcase the masterpieces created by Native Americans, accompanied by a curator’s poem or text that introduces them to the exhibition.

Another V&A-5 podium

The first solo exhibition of Dor Ges in South America is held at the Mambo City Museum of Contemporary Art. The son of a Palestinian and a Jew, he lives and works in Israel and his latest creations focus on his family history. “Catastrophe” includes photographs and video installations exploring the role of contemporary art in telling unwritten stories, as well as their relationship to trauma and memory.

Author: Emilia Kalogeraki

Source: Kathimerini

LEAVE A REPLY

Please enter your comment!
Please enter your name here