I don’t know if Morocco or please Mikado, a film whose title is inspired by a famous board game, even opens a new phase in Romanian cinema after 1989. As some of those who previously opined on Emanuel’s second film have argued. Former actor at Bulandra, later, with weapons and luggage, he moved into the space of an independent theater, and recently became an interesting film director.

To be like that, like that Morocco to truly signify a revolution, I believe a minimum condition must be met that everything the actors say is understandable and that the audience can easily understand every line. Not to practice dealing with what is supposed to be, to try, sometimes even at the cost of considerable effort, to derive exactly what this character said. But what about the film directed by Emanuel Parvo, created based on a script written by him in collaboration with Aleksandra Popa (an undeniably talented playwright, with experience and indisputable success both in the independent theater and in the state – his plays are ranked among Nottara and in the National in Tirgu Mures) is good, alert, in which the story flows vividly, in which there is really action, in which every minute out of 96 really counts, that is, it has something to say it is a film in which the camera does not linger unnecessarily on equally unnecessary details, belatedly imitating the bygone fashion of post-1989 Western or Romanian cinema, or the style of the new French novel, new in the 50s and 60s of the last century, which today is not I have no doubt that it is read more.

Moroccoit is, in my opinion, first and foremost the story of Christy and his family. Whether it’s told from Rodica’s point of view, as the filmmakers claim, or not, I don’t think it matters that much to the many, few viewers who come to see it. After all, the audience has little interest in what in narratology is called point of view. Naturally, history is also associated with a certain subjectivity, which is otherwise denied, by the way, inevitable, and with an often repeated and reinforced relativity. That tormentor hovers over everything, or rather over everything and if. For someone who is in the gym, it is important that he is not bored.

Christy, brilliantly played by Şerban Pavlu, is the quintessential representative of what middle class really means in modern Romania. He has money, he has a spacious, decorated house lower cri, it also has a premium SUV. The television in the family home is always on without fail Digi 24. And this is a sign of respectability, a person who does not have time for cankan. For which time is money Christy is what they call a pillar of society, and he knows it. He has the authority and self-confidence that money gives you. He realizes that his call is always answered without a problem, and that a targeted phone call, along with the accompanying financial attention, can go a long way. If not all. Even the remorse associated with the already mentioned and if.

His first wife died of cancer, so for that reason at least, he and his company are among the financiers of a hospital whose patients are children with cancer. Christy has remarried to Maria (Kryna Semchuk), and his father’s new marriage seems to have been accepted without much trouble by his daughter Magda (Ana Indrikau), otherwise a teenager still in the pose of a professional rebel. Magda is friends with Iulian (Tudor Cucu-Dumitrescu), and they work as volunteers at a children’s cancer hospital, whose head doctor is Elena Abraham. Self-confident head doctor (Emilia Popescu), but a good connoisseur of what is called the order of things. The society itself, which is also built on the model of the Moroccan game.

Christy gave her daughter a gold chain, which she, in turn, gave to one of the hospital’s young patients. One day, the father notices the absence of the chain in question, he wants to know where it has disappeared to, he takes seriously his role as an investigator, and later on the role of a man of justice. From here, from this point, the tragedy begins. This move, a stick that moved with the assurance that money gives you, will probably cost the life of Rodica, a nurse wrongly accused of theft, suspended/fired for exceeding her authority, Christy ignoring the detail that she is Julian’s mother, and finally- the rest (this is a disturbing sequence, very well artistically managed by a director who really knows what suspense is and what a theatrical coup is, as well as the author of the image – Silvio Stavila ) Christie’s life. A whole set of regrets, fears, blackmail, more hidden, more in the face (note the sequence of the evening vigil and the words whispered by Rodike’s colleague, very well played by Bianca Anastasiu, or everything Mihai, the friend / brother does Tudor a la maps performed by Vlad Brumaru) completes everything.

As I said, Sherban Pavlu enters Morocco supporting role Sherban Pavlu also did well Weddings, christenings, funeralsand in Team building, even if the films in question give me reservations. A lot and even more. In addition, it is clear that Sherban Pavlu is a real film actor. Read the whole article and comment on Contributors.ro